Photo: Jane Alden Stevens, 2022
Photographic Artist & Educator
My artwork studies relationships between humankind and the natural world. I am awed by nature’s beauty, its cycles and inherent perfection, and I’ve always been attuned to the ways it communicates how we might more fully live, and live in balance with it. I am also dismayed at how far removed humankind has become from nature, and the ramifications not only for the planet but for ourselves. My artwork documents these concerns poetically, and simultaneously serves as a meditation on the more-than-human world.
I create using photographic media because its physical makeup mirrors nature itself— sensitivity to light, energy and time, metallic and chemical interactions, viability and expiration—and for its ability to simultaneously record and infer. I utilize the entire range of photographic media from historic to digital; media choices underscore or mirror the concepts in each body of work.
My perspectives are influenced by nature writers, a unique multicultural heritage, Buddhist philosophy, and a lifetime spent in nature. Summers spent on a subsistence farm in Appalachia provided respite from urban living, and instilled a deep connection with the natural world from an early age. I have lived in Colorado’s Front Range mountains for 20 years, though my heart remains with the Blue Ridge and fertile, moist, abundant landscapes. The neighbors I most enjoy are wildlife—elk, moose, deer, fox, coyotes, bears and mountain lions. I live in nature as much as possible, and actively engage in its stewardship. In my off-time I enjoy hiking and snowshoeing, volunteering with stewardship organizations, removing dead pine for bark beetle fire mitigation, gardening and restoring cultivated lands to a more native state.
My artwork is internationally exhibited, held in distinguished corporate and private collections, and has been recognized through awards and fellowships. I license images and produce commission artwork. See my Contact Page for workshop information and other services.
Collections Include: Center for Fine Art Photography, CO; James Crown Collection, Chicago; Kaiser Permanente, CO; Reynolds Collection, OH; UDECX Corp, OH; Ann Arbor Development Authority, MI; Claritas Corp, FL; the Smithsonian Museum, DC; Archdiocese of Prague, Czech Republic, numerous private collections.
Gallery Representation: Michael Warren Contemporary
News & Publications
ART + SCIENCE: Women and Earth: Angela Faris Belt
VESTIGES: ANGELA FARIS BELT
Life & Work with Angela Faris
Month of Photography Denver
The Creative Photography of Angela Faris Belt’s “Entropy”
This video documents the making of my “Vestiges” series.
Elements TextBook
The Elements of Photography came from many years teaching in both Fine Art and Commercial Photography programs. I recognized the benefits of the educational approaches embraced by both types of programs, and the limitations of how exposure to only one form of practice reduced students’ options and chances for success in the field upon graduation. So I developed a course that spoke to all my students, who created incredibly sophisticated work in only one semester of study. To reach even more young photographers, I turned that course into this book.
The Elements of Photography examines four elements specific to every image created through the action of light. These elements form what i call the grammar of photographic language, because they constitute the technical foundation, and dictate the visual outcome, of all photographic images. They are: the photographic frame and its borders; the aperture or lens and its effects on focus, clarity, depth of field and viewer attention; the shutter speed and its effects relative to time and motion; and the physical media used to create the aggregate image and/or photographic object.
Together these elements answer a three-part question that defines the essence of photographic language: “What are the essential technical elements inherent to photographic image making, how do those elements dictate discrete visual outcomes, and what meanings do those outcomes suggest in relation to the subject?” To fully mine the medium’s potential, photographers must expertly address these grammatical elements, regardless of field of practice and choice of media.
INSTAGRAM @AngelaFarisPhoto
